ARGH SOLSTICE

[whynot]

Some great photos of child labor in America circa 1908-1912. Well, not great per se. Uh, you know. They're compelling.


- Arthur's face when he realizes Morgana might be in danger makes me go fjdlksjfds. I love when he cares about family. Quite different from Morgana last week who just lushed it up when she heard Arthur was fighting someone to the death. Or maybe she just isn't bothered because she knows Arthur will win anyway.

- I love how Morgana is constantly touching Mordred and stroking his neck or whatnot. To comfort him, ostensibly, but probably it comforts her more a lot too. They're so happy to see each other again!! <3

- Mordred and Merlin at opposite sides of the doors. Nicely done.

- Mordred is sort of like Morgana's Freya. Merlin/Morgana made all sorts of bad decisions for Freya/Mordred because they're just so happy and relieved that they're not alone. Also, I can't tell if Mordred is being a manipulative bastard and wrapping Morgana around his finger, or if his smile is just creepy by default.

- At some point, the situation has gone from Uther imprisoning the Dragon to Merlin imprisoning the Dragon. There totally needs to be an episode where the Dragon is a key player in the plot and not just as deus ex machina.

- YAY THE ALLIANCE OF MORGANA AND MORDRED

- ...IN EEEEEEEEEEVIL LOLOL

- MORGANA SAID SHE CAN GO D: Man, Gwen's being dumped by everyone.

- D'AWW MORDRED'S RUNNING HUG TO MORGANA <33333333 <33333333 (running hug of eeeeevil)

- Maybe it's 'cos my Solstice fic has been eating my brain, but I'm totally being reminded of my Solstice fic during Alvar's spiel.

- I like Morgana's hesitation at the prospect of wiping out EVERYONE who served Uther. Obviously she's thinking of Arthur. She and Arthur are interesting contrasts: his first instinct is to be loyal to Uther, so that's what he has to learn to question, but Morgana's first instinct is to go against Uther, so that's what she has to question.

- LOLOL I WAS TOTALLY THINKING "HMM, ALVAR/MORGANA?" AND THEN THEY ACTUALLY ALMOST KISSED ahahaha oh show

- "Alvar's followers are blinded by his charisma." Haha you mean like THE WAY MERLIN IS BLINDED BY ARTHUR'S CHARISMA?? THE WAY GAIUS IS BLINDED BY UTHER'S CHARISMA?

- I feel totally vindicated by the existence of all these rebel groups and how they espouse honorable ends through dishonorable means. Of course they exist. But what measure dishonorable? Call these groups extremist, whatever, but Uther has made it so that they are extremist just because they exist. It's so easy to flip this show around and make people like Tauren, Edwin, Alvar etc the protagonists.

- "...combination of raw talent and hard cocks", that's right, you totally thought it, your mind went there, admit it.

- The cloaks of the knights leaving the castle, oh man. On this show, the cloaks are characters in of themselves!

- The battlefield is no place for Morgana lololol whatever, Alvar

- LOL CREEP IT UP MORDRED, THAT'S MY BOY

- "THEY USE MAGIC OR SOMETHING." Oh Arthur. (TOTALLY MY SOLSTICE FIC.)

- "GO TO YOUR ROOM, YOUNG LADY." "GO TO HELL!!" hahahahahaha

- Morgana disowning Uther! BEFORE UTHER CAN DISOWN HER.

- Oh Morgana. I guess there's only so much a camel's back can take. Her dreams got worse (with only temporary reprieve from the hot half-sister who wants to bang her), and now that it's confirmed that it's magic, it's twice the stress. Meanwhile, Uther ups the crazy. Just as she was about to find freedom with the druids, she had to give it up. And that's crueler, to dangle it in front of you only to take it away again. The enemy isn't as straightforward as Kanen and his bandits anymore, and the trial is not just an adventure out to the country to swing a sword around in the name of justice. Shit got real. She's outside of her comfort zone. Is the enemy Uther (their relationship is complicated enough already), is it herself, is it the thing inside herself? What is internal and external to her is no longer clear. She's isolated and scared and acting out. Like Merlin, she just wants to find some place to be.

- I want Mordred/Morgana fic now more than ever.

- I totally thought Alvar's girlfriend was gonna have a bigger part. What, is she just fulfilling the the girl-with-sword quota now that Morgana and Gwen are, uh, too busy with other things?


In other news, here's what I wrote for homework this week:

Durkheim wrote, “Myth is where our non-identity is staged,” and identity is one of the things at stake in children’s stories, specifically the stories in which there is a magical fantasy world that reflects/defies/is an escape from the more mundane ‘real world’. Take, for example, the Chronicles of Narnia. One of the catch-phrases of the Chronicles is "Once a King or Queen of Narnia, always a King or Queen of Narnia," which seems to imply that identity is constant across the worlds. But does constant mean essentialized? Ahistorical? Then this just focuses on just one part of the Pevensies’ identity – their destiny to be kings and queens – which is not their identity per se; it is more a designation. What is constant across the sacred world of Narnia and the profane world of England is not their identities at all. The tragedy is how this destiny engulfs their identities anyway.

Durkheim wrote of individuals passing back and forth between the worlds and how they often have to perform rituals to prepare for their interaction with the sacred. Sacredness is not the default state of the individual – or of the Pevensies – and yet Lewis’s Christian agenda puts this not-default state as the superior state. The ‘real world’ is called the Shadowlands, as if they are only projections of Narnia. They are the shadows on the wall of Plato’s cave. This is not to say that the ‘real world’ is unimportant; it is important in that its very role appears to be outgrown and dismissed, like the husk that protects and shapes itself around the fruit within, but which we will not eat. What is the earth but the left hand of heaven? It is, in a sense, Marx turned on his head: instead of theory and practice reconciling itself in sensuous activity in the ‘real world’, they seek to subsume themselves in the symbolic world. In other words, not to push the ideal world into reality, but to push reality into the ideal world.

Some have posited that the Pevensies needn’t have gone into Narnia at all – any two boys and any two girls could have saved the land because the role of Narnia’s destined savior is the empty place to which Leforte and Levi-Strauss were referring. Being destined is therefore a coincidence of positionality. Levi-Strauss wrote that an object (e.g. the Pevensies) occupying the place of a sacred thing (destined savior/ruler of Narnia) is what makes them sacred to begin with, and this is how they maintain the order of the universe: “by occupying the places allocated to them” (Levi-Strauss 10). As previously mentioned, it is this destiny – i.e. empty space – that is constant across the worlds, and though this is a part of the Pevensies’ identities, it is not all of it despite Lewis’s emphasis. This fetishization of what is only a part of their identity is eerily similar to Marx’s preconditions for alienation. That is to say, in the capitalist system man does not live holistically but is the quantification of his skills and credentials, and it is precisely because he has been reduced to only one part of himself that he becomes alienated to the rest. The movie adaptation of Prince Caspian, the second book in the Narnia series, deals with this alienation in a way that the book does not, showing the despondency and resignation to which the older Pevensie siblings have fallen into, now that they are stuck again in the world they have already shrugged off.

Unrelatedly, I don't ship Draco/Hermione, I really don't, but apparently I ship EmmaWatson!Hermione and TomFelton!Draco b-because they're hot. Okay.

ETA: OMG mordred_morgana!! YES. YESSSSS. And... leonandmorgana?? SURE WHY NOT.

ETA #2: OMG I SENT IN MY SOLSTICE FIC FINALLY FINALLY *falls over*

Comments

[puckling.livejournal.com]

Also, I can't tell if Mordred is being a manipulative bastard and wrapping Morgana around his finger, or if his smile is just creepy by default.

I've realized that he creeps me out in a way that is very similar to how Elijah Woods creeps me out.


but apparently I ship EmmaWatson!Hermione and TomFelton!Draco b-because they're hot. Okay.

HAHAHAHAHAH, oh lolz.

[twoskeletons.livejournal.com]

THAT'S RIGHT LOL IT UP, I'LL JUST SIT OVER HERE mourning my shame

[puckling.livejournal.com]

I mean, not going to lie, I would totally tap Tom Felton too. I just feel like Draco/Hermione = O.o?

[twoskeletons.livejournal.com]

Me tooooo, I swear, but Emma/Tom makes me want to find a way. Well, more Emma than Tom, who just kind of looks washed out. Emma Watson, I would ship you with everyone.