whynot: etc: oh deer (veins and arteries)
Las ([personal profile] whynot) wrote2009-10-28 09:08 pm

i never wanna shame the blood in my veins

I reckon I should be organizing my data sets, but then I listened to Chimamanda Adichie talk about the dangers of a single story (via [livejournal.com profile] heather11483 and [livejournal.com profile] deepad) and my heart just swelled. I was originally going to flock this post because it has a lot of personal information in it, but then I realized that would be kind of defeating the point. So, here it is.


I started flashing back to these disconnected moments of trying to find and defend identity - of how I wrote and read about Americans living in suburbs, of how I perked up when I saw a Vietnamese or an Arab on TV because that would be the closest I'll ever come to seeing a person like me on television (the former in terms of Southeast Asian roots, the latter in terms of religion, at least in my mind), of my mother telling me how Asian I wasn't and how Asian I should be. "You're so Americanized," she'd say. Fine, I was American or whatever. Then I came to America, where I was unexpectedly exposed for the non-American I am, except sometimes people would forget this because I sound like I grew up here.

One time in high school, we had to write a novella for English class and my classmate chose to write about Filipinos in colonial times and I thought, "Oh, that's kind of weird." But it wasn't really. I wrote about a white American guy who went to an all-boys boarding school whose brother just died. As far as writing what you know goes, I was the greater fail. And this is Adichie's point, that I wasn't reading books about living in the expat bubble in a country where you don't look like a foreigner, so I didn't realize that my stories are valid stories. I'm not saying that my problems were the exclusive products and territory of cultural identity angst. A lot of teenagers go through 'find yourself' troubles, a lot of 'am I valid?' questions - I'm just saying these were how mine were articulated. My struggles are important to me. Our struggles are important to us. We are dialectically defined by them, but we also have to develop our own autonomy out of them. We reaffirm and take apart our identities everyday, not in ritual, but in protest against ritual. There must be something that belongs to us, after all.

I read YA books that taught me it is okay to be different, that you should be yourself all the time, and since I was at an age where I respected books more than I respected my parents, I believed these books. I misinterpreted their message and applied it very clumsily to my own life, and became very frustrated with my parents when they tried to stop my vehement individualism. I didn't try to understand the fact that I can't do a wholesale transplant of a value system from one culture to another. The Philippines and Indonesia have their own histories and values and dreams and raisons d'être and all that, but I knew very little about them at the time - all I knew were these Western stories. Instead of writing what I know, I lived what I read.

And it's funny, 'cos these YA books surely meant to teach you to be open-minded to difference, but this is not what happened when I took their morals to heart. I became close-minded and condescendingly vindictive at those who would pooh-pooh my special snowflake status, and wouldn't try to understand them because I was convinced these people (mostly family and relatives) were backwards and not modern enough, oh lord.

Sometimes I wish I could go back in time and arm my younger self with the ideology to defend myself against the haters who didn't know they were haters, and I'm not talking about my family here; I'm talking about my friend in college who said things like, "Yeah, but you guys aren't the real Pakistanis or the real Indonesians. These other international students too. You guys are in the top tier of your economic class, you aren't the real deal."

No one had ever told me I was too rich to be Indonesian. I was bewildered and angry and felt impotent in the face of it: at him, for being so convinced of such an insulting notion; at me, for not knowing how to defend myself. What does that say about Indonesians? What does that say about myself as an Indonesian? All my life, I've kind of felt like a fake Indonesian, so when he said this, my thought was, "...Oh my god, is he right?" He is exactly why this post about why we should stop using the phrase 'Third World' exists. In college, I hung out with a lot of guys who made all sorts of racist/sexist jokes and I let it all slide because, y'know, It Was Funny. "I don't like to bullshit around," said my friend who was an expert on the authenticating of other people's nationalities. "I tell it how it is."

This is one of my pet peeves: saying you're being honest and sincere as an excuse to not think about the shit you do and the shit you say, you fucking asshole.

I am more ready and willing to call people out on their bullshit now, not just because I have the knowledge, but also because I have the confidence. Confidence in myself and what I come from, confidence in my values and all the places in me, all the homes I carry in me and the friendships that remain true despite being now stretched across the world. And here's a confession, fandom, I have you to thank for that confidence. I didn't make a RaceFail post when RaceFail was going on, but I was doing a lot of reading and a lot of processing. I agreed with some treatises and not with others, but the main thing that I got out of it is that I should start taking responsibility.

I hate confrontation? Well too bad, because I have to tell that person that his rape joke was out of line. I don't want to ruin a date with my boyfriend? Well too bad, 'cos it's gonna go that way if he keeps on defending what he said about 'underdevelopment in Africa'. Don't let it be said that fandom doesn't do shit (and I don't think anyone is saying that anyway), but you guys lift me up: you educate me, you entertain me, you challenge me, you move me. The event that started RaceFail sucked, but I'm glad RaceFail happened because - and I'm going to sound like an utter cheesehead saying this - it kind of changed my life.

I CAN HAZ STORIES, GUYS. \o/

So in the spirit of this, I'm gonna do new twist on an old meme. I want you to ask me something you think you should know about me. Something that should be obvious, but you have no idea about. Ask away. And I will answer in autobiographical narrative form.

1/2

[identity profile] twoskeletons.livejournal.com 2009-10-30 03:18 am (UTC)(link)
I get my insomnia from my mother, and she gets it from her mother, who gets it from the cigarettes that the doctor suggested she take up to ease her stress. It's imprinted on my brain, the New Year's all three of us spent awake and alone in the same room: my grandmother watching TV, my mother reading the Quran, and I tooling around online. We hate to sleep or sleep hates us; the phrasing varies on the day. I wander around the house at 2 AM to take a food break from reading something and, in Indonesia, my grandmother is drinking tea; in the Philippines, my mother hangs around on an online message board for Indonesians.

The reason my grandmother stays up all night is because she has no time to sleep, and when she does have time, she puts her children first because no one else will. My grandmother married at seventeen and was widowed a handful of years later with three children to raise, and two of them still babies. (It was her best friend, and not my grandmother, who told me how my grandfather died. "He was shot in the stomach," she said, "and then his adjutant was shot and he died quickly, he was lucky. But your grandfather, he was lying there in the middle of the battlefield and the bullets are still going dor! dor! dor! and all your grandpa's friends gathered around him and said, 'It's fine if you want to go. We'll take care of your family. Go if you must. They'll be okay.'"

And so he went, and all I know of my grandfather is the black and white portrait over the dining room table, eternally fresh-faced and young.)

Whenever I asked my grandmother how old she was, she says, "Seventeen," as if life stopped when she married my grandfather. I wouldn't know her real age until she died and I calculated it from the headstone.

No man took her seriously because she was a woman and young, and no woman trusted her because she was a widow. Unattached young women bring only trouble, they said. I heard her husband didn't even die but ran away, they said. Did you see her at market the other day, how she flirted and laughed, they said they said they said. And my grandmother, what could she do? Her husband's friends followed through on their promise to him and helped to support her, but it was hard and nothing was ever enough. She has lived to see her land colonized twice, she saw it gain its independence, but for all the promises Sukarno is making about this brave new world, she's still buying sandals for five and selling them for six by the side of the road, just for the extra cash.

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To my discomfort, I realize I don't know my grandmother's name. That very thing that is unique to an Indonesian, that we don't even take the names of our fathers or our husbands, I don't know what my grandmother's is. She has always been Mamah, for as a small child she was the doting maternal figure in my life, and I went with her everywhere. I helped her bake butter cookies, and jellies from coconut milk and packaged powder. I went with her to market and I went with her to get her pension. She would with me as I watched my cartoons, watching them with me, smoking her cigarettes and picking at the scars on her legs.

My mom I called Ibu, meaning mother, and it was more function than intimate signifier.

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