whynot | walk-on parts in the war

PILOT: LOL WAT IS DIS MOOSIC. The music is the only difference as far as I can tell. How does this work, was this meant to be any kind of final draft at all, or was the music just a slapdash placemarker for less lolzy music to be put in later? Sam's walking Dean to the car after he breaks into the apartment, and there are ~ORCHESTRAL STRINGS in the background. Sam and Jess make out to "Boulevard of Broken Dreams", and the young man picks up the white lady to "99 Problems". CUTE, GUYS. Speaking of which, how YOUNG they look! Dean's eyes were like superbig.

MOST INTERESTING THOUGH, is when Sam is at that Halloween party in the beginning, and his friend said something like, "Why doesn't your family know about your pre-law successes?" and Sam replied, "Because, we're not exactly the Bradys."

:-O There he is! There's Brady! And his apparently close-knit family! What, he's totally one of those dudes that goes by his last name. Speaking of demonic possession, right:

THE RAPTURE: Was Amelia already possessed by the time they left the house?! WHEN DID SHE GET POSSESSED. WAS IT BEFORE AFTER HER GOODBYE HEARTBREAK WITH JIMMY? It's gotta be before, right, because soon after the men left, she was whaling on Claire. So AMELIA NEVER REALLY GOT TO SAY GOODBYE AT ALL. The entire time in the car, the demon was laughing at her. Her mouth is saying "I'm not going anywhere without you, Jimmy" and the demon is saying how she'll kill him nice and slow, Claire too, and asks Amelia if she knows just how much blood there is in a human body, if she'd like to see. ARGH. FOR A YEAR NOW, Amelia has been trying to get her life back on track, A YEAR, and then Jimmy comes back and holy shit and then HOLY SHIT, and the next thing she knows her husband is dying. The next thing she knows, her husband is no longer her husband and walking out of her life all over again. fjdslfsd FUCK. NOVAKS. ARGH. CAS, YOU GIANT DOUCHE. NO CLOSURE FOR ANYONE EVERRRRRRR.

Jimmy's "Can I see her?" will never not break me. ;___;

Does that mean it's... maybe it's time, maybe it's time for a mini-picspam of the collateral damage we call the Novaks?

Assume that after each picture is five lines of keysmash from me.

D: #1 -- THE HUG

D: #2 -- CLAIRE USING THE COAT FOR A BLANKET

D: #3 -- POST-DEMONIC SHOWDOWN MOTHER(??)-DAUGHTER MOMENT

D: #4 -- "WE'LL CROSS THAT BRIDGE WHEN WE GET TO IT."

D: #5 -- "TAKE CARE OF YOUR MOM."

D: #6 -- TTYL, d00dz!

D: #7 -- Castiel has no time for little girls doubled over in shock.

D: #8 -- THE NEXT THING SHE KNOWS

Okay off to do stuff for real this time.

[originally posted at http://whynot.dreamwidth.org/23849.html |

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I am pretty sure I have read the "Novaks taking refuge in the Roadhouse" fic! I don't have the link saved though, so apparently I didn't find it tooooo memorable.

I reckon after the Harvelles bite it in 5x10, the Novaks take over the Roadhouse. Running a bar wasn't part of Amelia's five-year plan here, but eh, God works in mysterious ways. If there even is a God.

AMELIA OWES NO ONE NOTHIIIIIIIING

walk-on parts in the war

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