salvaged from the cutting room floor
Aug. 21st, 2008 02:27 pmI am in a hotel on Long Island and the hallway consistently smells of weed.
Narnia drabble dump! Actually, these are deleted scenes from previous fics. I have a Notepad file of deleted scenes to be used in future fics, but sometimes they just get dumped in a post such as this.
From to know these songs and to sing them (Peter/Susan, PG13). I didn't initially know how to end the fic, so I kept on drabbling, hoping to meander to some sort of conclusion. This is one of those drabbles.
( they talk about mundane things )
From remember me as a time of day (Anna Popplewell/Susan Pevensie, though this scene is Anna/Will. PG13). I needed to write one more scene in the 'real world' to bridge the Cair Paravel scenes. This was written, and eventually rejected maybe because it wasn't crack enough.
( war-making suits you )
From the root goes deep/on all that came before (Trumpkin, G). I'm rather fond of the Lucy and Trumpkin POVs here. I don't have a special affinity for Lucy and Trumpkin, so the writing's more straightforward and, I feel, tighter. I like the insight their POVs give. This was cut because it would just be unnecessarily belaboring Trumpkin's point, his point being that these Sons and Daughters are full of it up to the eyes.
( try to force the hand of the universe )
Narnia drabble dump! Actually, these are deleted scenes from previous fics. I have a Notepad file of deleted scenes to be used in future fics, but sometimes they just get dumped in a post such as this.
From to know these songs and to sing them (Peter/Susan, PG13). I didn't initially know how to end the fic, so I kept on drabbling, hoping to meander to some sort of conclusion. This is one of those drabbles.
From remember me as a time of day (Anna Popplewell/Susan Pevensie, though this scene is Anna/Will. PG13). I needed to write one more scene in the 'real world' to bridge the Cair Paravel scenes. This was written, and eventually rejected maybe because it wasn't crack enough.
From the root goes deep/on all that came before (Trumpkin, G). I'm rather fond of the Lucy and Trumpkin POVs here. I don't have a special affinity for Lucy and Trumpkin, so the writing's more straightforward and, I feel, tighter. I like the insight their POVs give. This was cut because it would just be unnecessarily belaboring Trumpkin's point, his point being that these Sons and Daughters are full of it up to the eyes.